I discovered late Chris Potter, stupidity on my part, I saw in him a foppish posing with his saxophone. This that prejudice does not see anyway ... In short, I forgot one time and then rediscovered in the course of a disc with David Binney - South - in which the density technique Potter game I suddenly emerged as flanboyante. A critical Jazz Mag by Frederick Goati recently convinced me to re-tender the ear and mind to the music of this musician.
"Ultrahang" is an album without a record label. It is self-produced and distributed exclusively by the site ArtistShare. In fact, this is what made me interested in this album. Chris Potter, and even foppish poseur, without record company? Does he proposes nothing worthy of attention? Is it more than a sideman among the sidemen? I had already, even before hearing the disc, a more precise about that question: no. Chris Potter has a music show, certainly more than half of the tasks that continue to clutter the shelves of outlets Jazz. I am therefore procured the disc. And I listened, sitting, unfurl the raw music that I crashed into the eardrums. Chris Potter still has things to say, by the way he screams at the sound of a funk groove, incredibly, to paraphrase Ferré "slap it, it screams, it's mouth," and good god it's good! Listen
"Ultrahang! Let yourself be carried away by raw funk of "Rumple"! This disc is a nugget that grooves on its eight tracks with all the best musicians: Craig Taborn on Fender Rhodes, Adam Rogers on guitar and Nate Smith on a battery. Four boys for a great record.
I put the website link in Potter and especially a page from which you can - must-listen Rumpler. http://www.chrispottermusic.com/radio.aspx
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